![]() ![]() This method is a compromise in that your audience will hear a mono version of your track, and you will hear the click in one ear. On more advanced modules, this is made easy with multiple, assignable outputs. ![]() Meanwhile, you’ll need to hear both the track and the click clearly. When you play live, you’ll want the audience to hear the track, but not the click. When you play live, you’ll want the audience to hear the track, but not the clickĤ. Then loop it to match the length of the song, remembering to leave a gap of one or two bars at the start for your count-in. Choose sounds that are easy to hear, and not related to the instruments in your track, and draw in a click. #GUITAR JAM TRACKS LOOP SOFTWARE#This can be added using the software drum machine in your DAW (digital audio workstation) using a drum machine plugin. Once you’re happy with the balance of the individual instruments, you’re nearly ready to export. Note the gap at the start of the track: this will allow you to add a click count-in before the song actually starts.ģ. The BPM of the project matches the tempo of the backing tracks so that we can line up bars of the music. However, in this instance, the intention is to hit a pad at the start of the song to start the backing track, so the whole project will be exported as one single. wav files, enabling you to trigger each part live. The track has been compiled to a click, so there is also the option of exporting the individual phrases as. Above, is a screengrab of a project containing the parts that will make up our backing track. ![]()
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